Hachette Reading Group Guides
Welcome to our Reading Group guide for Sharp Objects by Gillian Flynn. We invite you to consider and discuss the following questions when reading this book:
- ‘Good editors don’t see bark, they see leaves’ What do you think the author means by this when she introduces us to Frank Curry, Camille’s editor?
- ‘The Victorians . . . needed a lot of room to stray away from each other . . . to avoid rapacious lust, to wall themselves away from sticky emotions. Extra space is always good.’ How much does Adora’s home add to the problem? Would a two-room apartment have helped?
- ‘Natalie was buried in the family plot, next to a gravestone that already bore her parents’ names. I know the wisdom, that no parents should see their child die, that such an event is like nature spun backward. But it’s the only way to truly keep your child. Kids grow up, they forge more potent allegiances. They find a spouse or a lover. They will not be buried with you. The Keenes, however, will remain the purest form of family. Underground.’ Macabre but true?
- ‘Outside on the porch I saw a changeling.’ How do you feel about Amma? Is she a changeling in the traditional sense of the word? Or a chameleon forced to adapt to her unnatural environment?
- ‘When you die, you become perfect. I’d be like Princess Diana. Everyone loves her now.’ Is Amma right? Does this apply in the world of Wind Gap? In our lives is this also true?
- Do you think there is any significance to the letter A in Sharp Objects? Think of Camille’s family in particular.
- ‘I’m here. I don’t usually feel that I am.’ How has Camille’s past shaped her? Do you agree with her shrinks that her ‘weightlessness’ is due to her ignorance of her history?
- ‘“Oh, now look what you’ve done. I’m bleeding.” My mother held up thorn-pricked hands, and trails of deep red began to roll down her wrists.’ What does this image in Camille’s mind tell us of her view of her mother?
- ‘I jammed a floppy blue teddy bear under my head, then felt guilty and returned him to the foot of the bed. One should have allegiance to one’s childhood things.’ How else does Camille’s allegiance manifest itself? Would she be better without it, or do you agree with her?
- How important do you think the outward appearance of the people in Sharp Objects is to their personalities. Ugliness and beauty are themes throughout the book, but are they the key themes? Or do the characters rise above the visual?
- ‘A ring of perfect skin.’ One on Camille’s back, and another on her mother’s wrist. What significance does this have do you think? How alike are they?
- ‘Sometimes I think illness sits inside every woman, waiting for the right moment to bloom.’ How far do you agree with this? Can you see how Camille has come to think this?